As human beings, we often use the closing of a year to look back, recollect, and hopefully learn. I'm doing that both for myself AND "The Catalyst."
For example, I notice this is our tenth newsletter. The first was released in April of this year. What an April fool I was! Please no one look back over those documents. I'm embarrassed at my naivete.
At one of my class reunions, a good friend and schoolmate offered to help find financing for "The Catalyst" feature film. I thanked him and told him we first had to get the legal paperwork for investors together and make the proof-of-concept short film as part of the investor package. I said it would take at least a year....
Try three... Or has it been more, AB?
So now I know I am probably naive when I say we might have the feature film financing by late 2016. Whether or not, we will at least have a cool short for the International Film Festivals while we wait.
I mean it when I tell my crew I'm trying to build a family, one that can be counted on for other film projects. They seem to share my sentiments, then some jump ship when more money is offered, which I can't blame them. Still, there are those who stand by me, are not looking for a paycheck and have bought into the same dream; that we might create something special which may last and have future potential for us.
Nothing you read or watch on filmmaking can prepare you for the specific decisions you will have to make for your project. This is my favorite recent one...
We wanted two private dressing rooms for our actors without spending thousands on renting a big movie trailer or a larger shooting location. Since we are shooting scenes in two bedrooms, if we rent a two-bedroom house, we would be all out of bedrooms.
As we looked at locations, I noticed how great some of the living rooms were and realized we should utilize them for one of our sets, freeing up a bedroom, so I'm rewriting the scenes to support that change.
Also it was pointed out to me that we only need the child's room for a half day. If we shoot there first, we then free it up for the rest of the shoot as a dressing room.
All that planning aside, the film gods smiled on us, because we found a location with four bedrooms and 3.5 bathrooms, and because of this, we may be able to accommodate many of our crew who travel long distances with lodgings.
Our production team remains the same with two exceptions. Our Director of Photography is now John Rosario and our Production Designer is now Sophy Hou.
There's no escape. Everywhere is haunted.
After simple household accidents trigger increasingly violent paranormal incidents, a young family becomes afraid to even move in their own home.
Status Updated: 31 December 2015
Richard D'Angelo .... producer
David Herman .... associate producer
Tatyana Kharkova .... makeup artist
Francesca Morello .... production manager
Second Unit Director or Assistant Director
Attapol Worrawuttaweekul .... assistant director
Kendra Eaves .... property master
Sophie Hou .... set dresser
Richard Baldomero .... sound
Waldo Warshaw .... special effects supervisor
Fangge Chen .... visual effects artist
Lucien Harriot .... visual effects supervisor
Camera and Electrical Department
Tom Capobianco .... second assistant camera
Jon Carr .... lighting technician
Phil Russell .... first assistant camera
Donna McKenna .... casting
Alan Fine .... composer: theme music
Paul, Weiss, Rifkind, Wharton & Garrison, production legal
So I hope you will consider dropping by www.bit.ly/CatalystLive after 1/10/16. Feel free to email questions or comments.