Click image above for more aha! information

Sets 5:30 + 7:15p 
 in the Fiber Optic Center parking lot 

Enjoy jazz music under the Jazz Wall!

Centre Street Sessions
Presented by Fiber Optic Center & Whaling City Sound 

Enjoy a live performance by

the Jim Robitaille Trio with special guest Dino Govoni. 
Featuring Jim on guitar, Bill Miele on bass guitar, Chris Poudrier 
on drums and Dino Govoni on sax.

A FREE arts & cultural event in Downtown New Bedford, MA
The jazz wall on the side of the Kaller Beef Building houses Fiber Optics Center and WCS
Click image above to hear "Bopstacle Course"
August 6 release
Gerry Gibbs Thrasher Dream Trios
Songs From My Father
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Celebrated Drummer and Bandleader Gerry Gibbs Announces the Release of Songs From My Father, A Celebration of the Music of Bebop Luminary Terry Gibbs, Prominently Featuring Musical Titan Chick Corea,
In His Final Recording
Songs From My Father is the much-anticipated new album from renowned musical polymath Gerry Gibbs. On his thirteenth release as a leader, drummer – percussionist – bandleader – arranger Gibbs presents a smashing double-disc masterwork featuring four iterations of his acclaimed Thrasher Dream Trio. Under his astute direction, this band of jazz titans pays homage to the musical legacy of Gerry’s 96-year-old father, Terry Gibbs. To honor Terry, one of the last living architects of bebop and innovators of the vibraphone, Gerry selected 18 tunes from his father’s vast discography and interpreted the timeless material through his own refined compositional lens with inventive, modern arrangements. Notably, Songs From My Father features the last recorded performance of the great Chick Corea, and includes one of Chick’s tunes composed specifically for this project. With Gibbs in the drum chair, his Thrasher Dream Trios include Chick Corea and Ron CarterKenny Barron and Buster WilliamsPatrice Rushen and Larry Goldings; and Geoff Keezer and Christian McBride; along with percussionist Kyeshie Gibbs.

A global pandemic could not slow down this jazz luminary – instead it inspired an impressive stint of creative output. Gibbs presents Songs From My Father fresh off the heels from his 2019 epic, genre-defying opus Our People, hailed by Philip Booth of JazzTimes as “Artfully layered pieces often verg[ing] on the cinematic…Quite a feat,” as well as 2020’s Emotional Pandemic, an 18-track album fully composed, engineered and performed (all eight instruments!) by Gibbs and released, free-of-charge, to a select 500 friends and collaborators. In fact, it was this release that piqued the attention of the legendary Chick Corea who initially inquired about Gibbs’ process for writing and recording all of the instruments. The conversation evolved to the possibility of collaboration, and the concept was born of releasing a double disc filled with the product of Gibbs’ collaborations with four astounding trios, including a collaboration with Corea and Ron Carter. Corea would later ask to be more deeply involved in the music that was being recorded, composing an original piece in dedication to Terry Gibbs “Tango For Terry”, and arranging two pieces for the album. 

Gibbs remarks “What I wanted to do seemed almost impossible with COVID, fear, traveling, safety precautions as well as logistics. How do you coordinate four trios when a disease was spreading all over America?” In the throes of a global pandemic, Gibbs found himself on a several-month nationwide journey to capture recordings of himself alongside a long list of his friends and collaborators – the finest improvisers of our time. NEA Jazz Master Ron Carter notes, “one of the fun things that I look forward to, when playing with Gerry is what part of drum history will I be able to identify when he plays…what an unfortunate surprise that the trio recording that I was a part of with Gerry would be Chick’s last recording. Chick and I played on several recordings together and I cherish those moments even more now.”      
Like many serious musicians, John Stein was trying to find a way to reach his audience during the Covid-19 shutdown. He had just released Watershed, a career-defining recording to mark his planned retirement from Berklee College of Music where he was an acclaimed educator. When the tour in support of Watershed was scrapped due to the pandemic, Stein and the indefatigable Neal Weiss at Whaling City Sound came up with the idea of bringing Stein and his trio—with Ed Lucie on bass guitar and Mike Connors on drums—to the New Bedford Art Museum for a live-streamed performance. The show was an enormous creative success. While it was skillfully documented on video, Stein also had sound engineer John Farrell capture and mix the audio. From the opener, a take on Sonny Rollins’ “Alfie’s Theme,” to the closing, upbeat “Happy Hour,” a Stein original, the recording is a pure celebration of bristling energy and brilliant, intuitive performances. It’s the sound of unleashed happiness as embraced by three musicians, accursed pandemic or not, born to play beautiful jazz music.
Click image above for sample tracks
Rale Micic
Only Love Will Stay

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#41 (peaked at #29), 6 weeks on radio chart
Rale Micic has played with such artists as Tom Harrell, Don Friedman, Peter Bernstein, Eric Alexander, Greg Hutchinson, but it’s the striking originality with which he plays his own music that really distinguishes him from other jazz guitar talents. On his new recording, Only Love Will Stay, Micic creates layers of original sounds, featuring a backbone in acoustic jazz ala John Abercrombie, the intricate textures of his internal conversations, and continuing through the loving melodic rhythms of his native Serbia. The session, with Jared Gold on keys and Geoff Clapp and Johnathan Blake on drums, is both relaxed and substantial, joyful and chill, starring the filigreed sounds of Micic’s Sadowsky archtop and the tasty choices of empathic accompanists. The result, on tunes like the dark and dramatic title track which opens the record, right through to the lush, atmospheric closer “Lipe Cvatu,” in 7/8, is enrapturing without going too deep into the margins and intoxicating without over-exerting. Micic’s Only Love Will Stay is a joyful experience and a stunning excursion into the mind of a truly original artist. 
Click image above to sample tracks

Greg Abate
Magic Dance: The Music of Kenny Barron

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SEVEN (7) WEEKS at #1!
#6, 14 weeks on radio chart
There’s a beautiful marriage happening with Greg Abate’s Magic Dance. It’s the union between Abate’s multi-instrumental gift of bebop and Kenny Barron’s varied and sublime compositions. Abate, with Barron, who handles keys on this recording session, are soulmates sharing this epic musical space. On their own, Barron’s melodies are transcendent. In Abate’s skillful hands, thanks to his ability to shift between alto, tenor, baritone and soprano saxes and flute, the material takes on new tones, colors and patterns. One of the liberties Abate took with the material involved varying the choice and number of horns on these tracks. On two tracks, he even went so far as to arrange and overdub four additional sax parts, modeled on the reed section of the traditional big band, which give Barron's lush sounds even greater texture and intricacy.   
Underneath it all is the hot-shot rhythm section of bass player Dezron Douglas and drummer Johnathan Blake, a New York City tandem born to support and elevate these arrangements. In fact, the ensemble work throughout this two-disc project is incredible, and reaffirms the health of 'real' bebop, a genre in which Abate has, through a five-decade career, been a dependable flame keeper. With this collaboration, Abate, with sidemen Barron, Douglas and Blake prove that the glory of straight-ahead jazz can still be purposeful, exhilarating, and, above all, like all great marriages, faithful and true. 

8.5 • 8-10p • Outpost • Albuquerque, NM Click here for tickets 
8.7  4p • Harwood Museum of Art • Taos, NM Click here for tickets  
• Madrid, NM
8.14 • 8p • Paramount Arts Center • Ashland, KY • with Bob Thompson, Ryan McGillicuddy, and Lee McKinney • Click here for tickets
8.18 • 6:30p • Herreshoff Marine Museum • Bristol, RI Click here for tickets
8.19 • Jazz Forum • Tarrytown, NY
Click image above to sample tracks
It is glad tidings indeed that Whaling City Sound announces the release of a new Greg Murphy recording. In fact, the news is almost as joyous as the sound of Murphy’s piano. Cool Water is both heartwarming and exhilarating. Greg’s fingers find delicate and exciting ways of expressing themselves across the keys. It is the sound of a blissful talent given a new lease in both life and career, as well as the opportunity to rediscover his true and glorious gift. The recording opens with the ebullient “Chim Chim Cher-ee,” segues into a chancy take on Steely Dan’s “Green Earrings,” careening through a battery of brisk melodies and beautiful playing, including the astonishing “Cuttin’ Trane’s Corners,” a dark, surprising cover of Wayne Shorter’s “Lost,” and the funk-filled closing celebration, “You Decide.” Featuring Murphy’s bandmates Jeff “Tain” Watts on drums, Eric Wheeler on bass, and a bevy of special guests, Cool Water is just that, long and fresh, a ride with the top down, rife with optimism and full of freedom and discovery. Greg Murphy is clearly glad to be back and playing music again, and we should all be thankful for it.

8.7, 13, 21 •  6-9p •
Lorenzo's • Staten Island, NY
8.8, 29 • 12-4p • 
Lorenzo's • Staten Island, NY

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With 131 releases since 1999,
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New music from Dave Zinno Unisphere Fetish 9/3/21

Eric Wyatt A Song of Hope 9/17/21

Shawnn Monteiro You Are There 10/1/21

 Dino Govoni Hiding in Plain Sight 10/15/21
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